Colour and Vision in ' To The Lighthouse'
M. K. BHAVNAGR UNIVERSITY
Name : Bhumi Vinodbhai Joshi
Batch Year : 2014 - 2016
Roll NO : 2
Enrolment No : PG14101020
Paper Name : 9, The Modernist
Literature
Assignment Topic: Colour and
Vision in the novel ' To The Lighthouse
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- Preface :
'To The Lighthouse' is written by Virginia Woolf in 1920. It is a
revolutionary book. Woolf was attempting something quite new in English novel.
She wanted to capture, in words , the nature of human consciousness - What it
actually feels to be alive.
The novel at some extent - It is a
biography of writer herself - Virginia Woolf. readers can feel during reading
novel that...
" One isn't always hurrying to turn over the page,
urgently wanting to find out what happens next."
' To The Lighthouse' is in the
category of the 20th century literature. So, we may assume that what is it
about. Obviously reading modernist literature do not provide the pleasure or
delight but it creates anxiety and it
constantly hammering on readers mind.
Thought story of novel is too short,
the novel is full of length. One can describe the plot and the main concept of
the novel in short also.
Arnold
Bennett summarized the novel like...
" A group of people plan to
sail in a small boat to a Lighthouse. At the end of some of them reach to the
Lighthouse in small boat. That is the externality of the plot."
In above review , Arnold
Bennett deliberately emphasised on the plot's 'externality'. In the novel ,
something is more deeper rather than the surface actions which is going on in
life. At the first sight it seems like that the whole events which are
described by Woolf themselves quite unimportant.
This novel is about different way of
perceiving the process of life. Each
character does struggle to find the answers :
Who knows what we are; what we feel ?
' To The Lighthouse ' is the unequal
lengths of the time covered by each of three sections. The first and the third
- " The Window and The Lighthouse "
each occupy less than a day. On the other hand , the middle section
" The Time Passes " deals with a span of about ten years.
Writer - Virginia Woolf attempts to
represent the workings of the representation of what was to her most fragile
,dangerous and existing of processes life itself.
In the novel - " Life is a
luminous halo, a semi transparent envelope surrounding us from the beginning of
consciousness to the end. We find many characters like.... Mr. Ramsay,
Mrs.Ramsay, Lily Briscoe, James , Cam, Rose, and so many others but the
protagonist of the novel is Mrs. Ramsay. Because of her strong influences, she
is alive in the novel after her death also.
Human beings have emotions and feelings.
Sometime it is hard and difficult to hide whatever it is.....Hate, Love,
Disgust, Sorrow, etc.. The same way , Colours also reflect the instinct
emotions and feelings which is more powerful than the word.
At one level, Life is colourful. It is mixture
of multicolour but it has one main object and colour which is stood throughout
the time. So, each character reflects one colour in the novel : ' To The
Lighthouse '. So, let's discuss Colour and Vision in the novel. Colour in ' To
The Lighthouse ' by Jack. F. Stewart and Vision in the Lighthouse by ' Glenn
Pedersen's articles are base of my assignment.
v Colour In To The Lighthouse :
Literature is also considered as art. In
literature has pictorial quality through words and words are able to create images in mind. The word colour is
direct connect with the 'Painting.' According to Virginia Woolf
...................
"
Painting and Writing ...have much in common. The novelist after all wants to
make us see .. It is very complex business, the mixing and marrying of words
that goes on , probably unconsciously , in the poet's mind to feed the reader's
eye. All great writers are great colourists."
In the novel - ' To The Lighthouse '
writer Woolf tries to search for
spiritual essences which is expressed in light and colour. We find two major
perspective to define light and colour :
Creative Source and Creative Artist. Mrs. Ramsay may be introduced as
" Creative Source " and Lily
Briscoe as " Creative Artist."
Colour is used
as various way like... symbol, radiance, vibration of some feelings
etc.. But in ' To The Lighthouse ' Woolf 's art goes beyond impressionism and symbolism
towards a flexible form that " does not shot out. "
·
What
Colour reflects ?
Colour indicates the personality, individual
qualities of characters. We can understand the nature , and behaviour of
characters through colour. The experience of colour relations is more than
optional sensation. It is a complex experience hard to put into words, a
stimulus and revelation.
" Colour is a sensitive
medium for expressing both individual and universal experience."
In the novel, The outline and the
colours are no longer distinct from each other. Writer Woolf does the
characterization of each character
with..........
" One's personality is seen
and grasped in one's glance , which is, however no more than a combination of
colours."
As we all know the rules of science
which describes that Objects do not have colours but for the eye all objects
exposed to light absorb some rays and reflects others. Just as white light
refracted through a prism produces the seven colours of the Spectrum, so being
refracted through the self produces the psychological spectrum of the novel.
And ' To The Lighthouse' is built on nexus of Light and Colour.
Mrs.
Ramsay identifies with the light with prism through this character this
charactec, others are able to stand in their position Lilly Briscoe "do
not seek to imitate form, but to create form, not to imitate life, but to find
an equivalent for life."
So many different colours are used in the
novel like.. Red, Green, Yellow, Blue, Purple, Black, etc....we find the
mixture of colours in one, Through colour, reader can feel positive and
negative vibration of the characters.
Mrs Ramsay's absorptive powers are seen in her
withdrawal into darkness, but She is also a powerful reflector of light, who
illuminates others lives.
If Mrs.
Ramsay consider to light as essences , Lily Briscoe consider to color as the
contingent substance of reality and art Through the each part are may come
across the detail how each part is portrait with different colour.
The Window :- Symbol of light
The Passes :-darkness and silence
The Lighthouse :-Mrs. Ram say's spiritual light into
voyage and form and colour
in Lily's
painting.
Mrs.Ramsay described with 'Red'.-His
Red-hot pokers, red geraniums. and reddish-brown hedge; the reddish-brown
stocking that Mrs, Ramsay is knitting for the lighthouse. Keeper's Son ; her
image of James 'all red and ermine on the Bench"; Paul Rayley's blaze of
amorous passing ;and Charles Transley's red raucousness. Red color ascribes the
male egotism.
Reader constantly heard the background sound of Sea which is
associated
with
the Blue colour. Green is associated with Green - illusion and imagination. Mr.
Carmichael's eye and opium is associated with yellow colour and "Yellow
Eye" of the Lighthouse , " Pure lemon" of its beams, the harvest
moon - is associated with meditation and intoxication.
Paul
- " reddish light"
Cam
- " green light"
James's
memory of his mother - " A blue light"
Mrs.
Ramsay - Lighthouse itself.
Gray is used as background colour
through out the novel . It is said that the essence of women in 'gray ' , which
is paradoxical fusion of presence and absence fullness and emptiness , colour
and colourlessness. Just as gray is the " abstract " of all complementary
and all colours combined.
" Colour expresses something
in itself."
Lily Briscoe does not analyze her
emotions; she feels " Some instinctive need of distance and blue."
Example
:
"
In Lily's mind the dinning table becomes a surreal emblem of Locke's
"primary qualities" of shape and extension, divorced from
"second qualities of colour and feelings."
Mrs. Ramsay is intellectual person
who is planning a lecture on Home and Locke. Lily's task is not to reject such
empiricism, but to marry it to Mrs. Ramsay's mysticism :
"One wanted , she thought , dipping her brush deliberately to feel simply that's
chair , that's table and yet the same time. It's a miracle , it's an ecstasy."
This clearly exemplify the dual way
of seeing, at once true to the object and expressive of the subject , combines
two way of looking represented by the two Ramsay.
Lily is tackling a fertile dilemma,
" In the conflict between strong colour and strong form each adversary
grows in stature and power through their mutual confrontation strong form and
space inhibit colour interaction while strong colour interaction obliterates
form and space."
Lily Briscoe feels the plastic stress
disrupt the flat surface of her canvas , and threaten her own psychic balance.
The more she plunges into her painting and tackles the problems of colour and
form , the more she encounters the unconscious substructure of her personality.
Blue is associated with Sea, Sky , a
bird plumage , shadows of the hedge , pigments on Lily's palette or canvas ,
parental shadow, distance and vision ,Mrs. Ramsay's aura , the reflecting
surface of the Sea, smoke and unreality , eyes of all male characters except the
poet Carmichael.
Discussing , so many things with
Blue colour , Blue becomes the visionary colour for Woolf. Mrs. Ramsay's
peculiar combination of radiance and sombreness, ...
"
Blue is darkness made visible." -
agree with the tonal range of blue from height to depth . Sky to Sea, "
bright steel to soft purple" and blue -white to blue-black." The dual
extremes of palest and darkest blue relate to the light/darkness duality
extremes of palest Mrs.Ramsay being.
Mrs. Ramsay's Spiritual experience
is mediated by image of light and darkness. So, Mrs.Ramsay is associated with a
whole range of colour. Blue ,may be used as a background to show off other
colour.
According
to Nietzsche.......
" In books there are blue
shades of colour with which their author seek to steady his taut
sensitivity."
Blue gives vibration to other
colours, so one must bring a certain amount of blue into painting. Mrs.Ramsay
provides the visionary " background " of the novel , its sense of
spiritual space and depth. Red and Blue are often found in conjunction in the
novel.
With red and blue there are must either be
conflict or chromatic marriage resulting in some shade of purple. Transley's ,
despite his "Purple Book" , fails to achieve integration between the
restless red of his Ego and the tranquilizing blue of Mrs. Ramsay's spirit.
But Lily, who synthesizes spiritual
rays of mother and son into " triangular purple shape" is moved -
after an outburst of imaginary red " by some instinctive need of distance
and blue" that helps her to harmonizes her painting. The colour red is
associated with effort and excitation.
In the novel mental and spiritual ,
personal and impersonal energies are polarized in juxtaposition of red and
blue.
Mrs. Ramsay 's ego conflicts which
is connected to red emphasize the desirability of impersonal vision , the
maternal colour , is associated with liberation and expansion.
The blood red blur is symptom of
self - blinded ego for one see red if one closes one's eye against the light.
" Something red , something
brown."
The
lighthouse itself is glimpsed "between two clumps of red- hot-
pokers" as the blue bay had been through the hedge.
In the colour coding of Ramsay's blue is associated with distance ,
imagination, short-sightedness; red with closeness , rationality ,
farsightedness. The long view is free of complexity but unfocused - " Blue
and Purple become hopelessly lost to blur in darkness and distance."
In To The Lighthouse, red becomes
constructive only under the aegis of Mrs. Ramsay who gives the order to "
Light the Candles."
Lily is fascinated by the raw force of sexuality- directly
expressed to her painter's sensibility as reddish light and crackling fire -
yet it seems to threaten not only her psychic balance , but the very fabric of
a culture based on sublimation.
Lily needs to deal with the counter
force of the masculine ego, as she needs to balance the colours and masses in
her painting. It is the dominance of green on her palette that incites the
blaze of red in her imagination.
'Red' and 'Green' are of all
complementary colours the most equal in depth and green is intensified by
proximity to red. Thus, Lily's reflections on her masculine opposite stimulate
, rather than inhabit , her colour and vision.
The Green Sea also has " a
Purplish stain...as if something had boiled and bled, invisibly ,
beneath." The colour green is also associated tangentially with Mrs.Ramsay
, and directly with Lily . Green and Blue are frequently juxtaposed ,
suggesting affinities between aesthetic and spiritual modes of visions.
" Green is the intermediate
between yellow and blue" which clearly reflects Lily's position in the
colour scale between her fellow artist, Carmichael , and her spiritual mother ,
Mrs. Ramsay . Her Purple plays a key role as chromatic signifier of
integration.
Yellow the most luminous colour.
None other might wear a yellow garment; yellow was symbol of supreme wisdom and
enlightenment. Yellow will be seen as the nearest and largest of colours;
Augustus, " drinking soup , is very large and calm in the failing light,
and monumental and contemplative.
The colour violet is the complement
of greenish - yellow - a mixture of motifs associated with Mrs.Ramsay , Lily
and Carmichael.
Woolf is trying to come close to the
'Pure colour of painting - colour without any literary meaning' colour effects
are.......intensified by contrast.
"Language might be able to
create a relation similar to that established by colours in a painting."
Thus , discussing the details , we may say that in ' To The
Lighthouse, each character has as it is
its own frequency associations. The language of colour is integral to Woolf's
vision and design , as she explores the interface between fiction and painting.
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v Vision In " To The Lighthouse"
:
The
novel - " To The Lighthouse " begins with James's desire to go the
lighthouse and ends with that desire fulfilled , but the extent of desire
thwarted during the intervening years of family experience is immense.Though it is external plot of the novel, there is
something behind it. Some layers are there which is more important in the
novel.
The action of the novel shows Mrs.
Ramsay to be an absolute matriarch whose dominion lives ten years beyond
herself. Her blunder is ironic in that she is unaware of it but Mr. Ramsay
experiences it and Lily Briscoe finally comes to know it in her vision.
As we know that novel deals with the
complexity of human relations in life. To ascribe the complexity of everyday
life, Woolf uses the narrative technique which is called " Steam Of Consciousness."
Using such psychological aspect for narration she makes her character more complex because thoughts never have
sequences. She describes the fragmentation of each thing like.....Thoughts,
Emotions, Feelings. Though such kind of feelings are formal for human being, it
creates inner turmoil in common people life.
Here, we discuss the vision in
" To The Lighthouse" .
Mrs. Ramsay and Lily Briscoe both
are totally opposite to each other . At
the surface level it is considered that novel is the tribute of Mrs. Ramsay .
As we all already know the stereotypical Indian culture Mrs. Ramsay is
presented as same as Indian women presented in their literature.
Mrs. Ramsay does all things for
family members. She lives for others throughout her life , she does so many
things and sacrifices for the sake of others , and so many things which is
already decided by patriarchal society. Mrs. Ramsay is alive in mind of others after
her death because of her services and compassion
to each. She is also known as " Angle Of The House ".
Lily
Briscoe is free from such kind of boundaries . She likes her own freedom first.
She tries to prove herself in front of the society that women has also equal
opportunity and intelligence. She can do any thing which she wants. Lily tries
to break wrong idea that.....
" Woman can't paint and
write."
She does that and prove women's
identity as intellectual as man. Both are remarkable characters in the novel
because Mrs. Ramsay is alive because of her woman hood only and Lily Briscoe
for her art. Both have their vision. - some extent it is different then even at
some level it is similar.
Lily Briscoe's vision completely
establishes the nature of the Ramsay family and added legit motives and images
of Window and The Lighthouse , Land and
Sea repeat the theme on the symbolic level until at the end the unity of the
painting is complete when Lily Briscoe has had her vision.
Mrs. Ramsay's character is more
complex to understand .She might have managed things better - her husband ,
although she never regretted her decisions, evaded her difficulties or avoided
her duties , in spite of occasional premonitions that her life was " all
ephemeral as rainbow."
Lighthouse - stand for Mrs. Ramsay ,
as lighthouse show the path who lost their direction in Sea because of heavy
storm or weather. The same way, Mrs.Ramsay is source of emotional security for
all members. We may say that she is the centre of all and also become the
bridge between her husband and her children . As lighthouse stands for spiritual
and inner light , Mrs.Ramsay also stands for it because she is only one who has
power to connect or hold all members together.
Mrs. Ramsay's attitude towards others
is determined by their attitude towards her Virginia Woolf uses the
juxtaposition is masterful and extremely effective; throughout the novel . She
subtly reveals the cryptic character of Mrs. Ramsay by this means.Reader comes to know the shabbiness
of Mrs. Ramsay's relation with her son; the house, the symbolic extension of
the window , her husband , etc.
If Mrs. Ramsay could see what the
blunder is, her life of dominion would be ended if she were a regenerate
person. She herself feels;
" Nothing but a sponge
sopped full of human emotions."
Being emotional she tends to see
nothing but emotion in Mr. Ramsay during the crisis of mother - son , father
antagonism ; she saw him " Outraged and anguished " ; and then "
She stroked James's head ; she transferred to him what she feels for her
husband."
Thus, Mrs. Ramsay becomes ' the wall
' between children and father rather than the 'Bridge' . And after her death it
is clearly visible to reader.Mrs.Ramsay is creative source of
vision and Lily Briscoe is Creative artist. Somehow, both have same vision ,
Mrs. Ramsay's vision reflects through her way of living life. And, Lily
Briscoe's vision reflects with capturing the way of living life of Mrs.Ramsay
in painting as an art.
It is difficult to define vision with general
aspect because with the help of painting . We clearly exemplify the vision of
Lily Briscoe but what about Mrs. Ramsay Questions remains there.....
" Why Lily Briscoe selects Mrs. Ramsay's
painting? "
" Through painting does she
wants to reflect anything or not ?"
Mrs. Ramsay survive throughout the novel
specially after her death, also. Mrs.Ramsay is alive in memories of characters
only because of her own painting/ Art.
Mrs.
Ramsay would not meet him, physically or intellectually; she would not give him
sympathy , assure him of his genius take
him " Within the circle of life." Mr. Ramsay must be assured that
" He too lived in the heart of life; was needed."
Mrs.Ramsay
suffers from her inner turmoil because all members are depended on her although
Mr. Ramsay was infinitely the more
important , and what she gave the world in comparison with what gave , legible
. ... it was painful to be reminded of
inadequacy of human relationships. And Mrs. Ramsay refuses to admit that she is
the Fisherman's wife.
At some level , it seems like that
Mrs. Ramsay has domination over her husband. Mrs. Carmichael is later
identified as Mrs. Ramsay 's shadow , and we remembered that his wife also
dominated him.
Marriage - One of the serious discussion topic
of the novel. And conversations go on between Mrs.Ramsay and Lily Briscoe about
it. Mrs. Ramsay always thinks that the secret to people's happiness lies in
marrying them off.
Marriage of course , but Mrs. Ramsay's Ego- censor will not
allow her to think of her own marriage , but of Paul and Minta's and the only criticism of herself that she can conceive is from
Minta's parents about Mrs. Ramsay's unappreciated influence.
"
The Lighthouse , it is made clear that the marriage while not exactly a disaster,
is hardly the happy partnership."
Mrs. Ramsay's Marriage had one essential - " The
things she had with her husband." Woolf describes immediately the exact
nature of " essential " and shows that the essence really is
matriarchal.
Mrs. Ramsay has no her own vision
except her family and relationship for her, "
"
Life is terrible , hostile , her real antagonist."
She has no time for herself to think
. She has many responsibilities of
husband , children and many others and at night may be get some time where she
has no need to think of anyone.
" She could be herself, by herself , and
that was now she often felt the need of - to think; well , not even to think .
To be silent; to be alone."
Readers surely say that Mrs. Ramsay
is performing a superficial duty; She is
not prompted by her own desire ; she goes only to appease him temporarily and
then never may bare their antagonism and perhaps dispel it.
Wish to go to The Lighthouse ,
finally complete but it has been done or possible only after the death of Mrs. Ramsay.How can
James go to the Lighthouse tomorrow ,
When he is so securely bound to Mrs. Ramsay tonight?
It is the mother, rather than the
father , who poisons Cam's childhood, as
well as James's. James can see that the wheel is innocent. He is awakened to
reality; he knows the existence of sun and shadow , and thinking of the
lighthouse , he realizes its paradoxical nature. Lighthouse is not simply one's
thinking. Other Lighthouse also can be
possible . And that is clear vision of it.
James can see again in clear vision at the end. He realized another identify between himself and father. Mrs. Ramsay could never say what she feels she
does not know her unconscious feelings and consciously she does not love Mr. Ramsay.
" Yes, You were right. It's
going to be wet tomorrow . You won't be able to go."
Her selfhood is too dominant to be
integrated in an ideal husband - wife relationship. She feels that without
triumph, she will be negated ; and thus she negates the family integrity to
maintain her own selfish individuality.
Lily Briscoe came , as "
Peace" and this time entirely
" a wake " and thus able to see her vision fulfilled. James
and Mrs Ramsay still important characters;
Cam becomes significant as the female point of view , a potential Mrs. Ramsay ,
and Lily Briscoe attains major importance as the visionary artist. Lily Briscoe
view of Ramsay family, For she is the
artist who had the vision.
Mrs. Ramsay looked like " a
king in Exile" to Lily Briscoe and he was symbolically killed by his son
.In the novel " To The Lighthouse "- When Lily Briscoe feels that Mr.
Ramsay was making his demand on her. She reacted negatively , as Mrs. Ramsay
had.
Lily Briscoe departs from her role
as Mrs. Ramsay who is never ashamed of herself. Lily Briscoe saw a new Mr.
Ramsay and lamented her inability to give him her new - felt sympathy; " but he no longer needed
it."
The entire action of the novel is
unfolded symbolically in Lily's painting. She knows the truth of her vision is
difficult to bear , so difficult that even she doubt of its validity. In her
moments of vision , she sees Mrs. Ramsay , but brush in hand , the shadowy
reality was so different from the beautiful appearance that her courage failed.
" Yes ,with all its green and
blues , its lines running up and across; its attempt at something. It would be
hung in the attics, she thought; it would be destroyed. But what did that matter
? She asked herself , taking up her brush again . She looked at the steps; they
were empty; she looked at her canvas; it was blurred. With a sudden intensity , as if she saw it clear
for a second , she drew a line there , in the centre .It was done; it was finished. Yes, she thought , lying
down her brush in extreme fatigue. I have had my vision."
In her vision she sees a line, even now , but she
doesn't yet know what that line is. Lily Briscoe in her vision truly sees Mrs.
Ramsay , herself reveals in her innermost being - that she is a wedge -shaped
core of darkness , something invisible to others.
The last line which is spoken by
Lily Briscoe - it interprets with two aspects with two aspects with two
aspects. First one is as literal meaning of the words now painting is completed
and finished means work is done by her successfully.
Metaphorically , it suggests that
she completed the painting of Mrs. Ramsay who is alive in her painting for
womanhood and her qualities. After getting the success against the patriarchal
society, proves herself as great artist
- she herself is not able to come out from her inner turmoil , her own inner
struggle. question is .......
" why she selects the picture of Mrs. Ramsay only ? What is the purpose of it ?
Lily Briscoe thinks that
there is no other way of living life foe woman. Only one way of living life
which is suggested by Mrs. Ramsay through her womanhood. Only one way of living
life which is suggested by Mrs. Ramsay through her womanhood. Being free, being
independent , there is something which she feels lack of her in herself and
then after completing painting in film speaks that...................
"
Closed doors, open windows" Dearest Briscoe, you are a fool " Means
at the novel she may want to accept the way of
living life of Mrs.Ramsay.
Lily Briscoe could see that family
and their guests depended on Mrs. Ramsay "directly she went a sort of
disintegration set in."
" The subject matter is not
love but dependence ."
Lily Briscoe completes her painting after
ten years , she has arrived at the answer to her vision, but could not say just
what it is. The outer beauty surely did not reveal the inner state of being. Lily " heard the Sea" and
why should she not be content with this ? Immediately Lily and Mrs. Ramsay experienced a
harmony which was followed almost as immediately by Lily's superficial
metamorphosis.
Lily lives alone; Lily feels
triumphant over Mrs. Ramsay and her "Mania for marriage." Suddenly
she gets flash to move tree to the
middle; then she would " never need marry anybody."
" Lily feels again physically,
the loss of Mrs.Ramsay , feels without her the centre of her picture is
complete emptiness.
" Could she not demand to know
why Mrs. Ramsay's beauty should not shape the centre?"
Lily shouted for Mrs. Ramsay to
return " but nothing happened."In her vision Lily always sees Mrs.
Ramsay associated with death." All had seen parts of the field of
death." But always too, the vision has to be perpetually remade."
" Mr. Ramsay and his children
seems to be swallowed up in that blue , that distance,' coming closer and
closer to the integrity of her panting . She feels more sympathy with Mr.
Ramsay as he passes into the blue , the past and become a part of her vision ,
as the things near , of this world, " become unreal ..... life was most
vivid then."
And then Lily feels the fullness of life; some
common feeling held the whole, " held all the conflicts from destine grating. Lily 's attention was drawn to the
" Window " - Mrs . Ramsay again she recalled that " there must
have been people who dislike her very much." Lily realizes that the
drawing room step was empty, but it had no effect on her whatever .She did not
want Mrs. Ramsay now."
Reader need to see inside of
Mrs.Ramsay to see her character , to see her real relation to Mr. Ramsay , to
see that she marries him but did " no more". There conflict endure.
" Fifty pairs of eyes were not enough
to get round that one woman with...Among
them must be one that was stone blind to her beauty."
Mrs. Ramsay is not the grand
presence - she appears to be; she is ordinary in her inner being and only
superficially beautiful . This is a realization to share and Lily seeks the
only person who knows: Mr. Ramsay.
As Lily has wanted to give him
sympathy because she has come to the same feeling ; that Mrs. Ramsay is an
ordinary woman , extraordinary only in her physical beauty - in her heart she
is dominated by self hood.
" He has landed , she said
aloud.' It is finished."
Mrs. Ramsay would survey her
"final destiny" from the
remoteness of artistic vision .Lily
quickly returned to her picture."There it was.... With all its green and blues , its lines running up and a
cross , its attempt as something."
A single line has connected the light and dark
, has filled the vacant centre. With a simplicity that is a beauty of art ,
Lily Briscoe integrated Ramsay family in
vision ,in her painting Lily Briscoe's vision has revealed
the resolution of the conflicts . Mr. Ramsay knew...
" Someone has
blundered."
The action has repeatedly shows that Mrs. Ramsay is guilty essentially because of
her desire for self hood. Family integration is not possible while she lives;
only after death , when unconscious forces are exempt from her conscious
dominion , does the family come to the best possible integrity.
And at the end , we may say that
Lily Briscoe 's vision is James's desire and in effect the whole family's
fulfilled
.
·
Epilogue :
Thus , discussing both Colour and
Vision in the novel - " To
The Lighthouse", we may conclude that both is important in the novel.
Colour is also associated with vision so
both are intermediated into the novel. Both have its own dignity and
place which sustain throughout the novel. And writer Woolf with great
perspective , use both at the same time.
It is not easy to give words to
painting and also difficult to describe painting in words. In the novel , we
find both things with great aspiration which is done by Virginia Woolf.
Works Cited
Pedersen, Glenn.
"http://www.jstore.org/page/info/about/policies/terms.jsp." 1998. http://www.jstore.org.
16 October 2015 <htpp://www.jstore.org/stable/460303>.
Stewart, Jack F.
"http://www.jstore.org/info/about/policies/terms.jsp." 1985. http://www.jstore.org.
15 October 2015 <http://www.jstore.org/stable/441465>.
Woolf, , Virginia. To The Lighthouse. USA: Longman,
1995.
assignment Clearly presents a main idea and supports till conclusion.
ReplyDeleteThere is a main idea supported throughout assignment.
Well-planned and well-thought out. Includes title, introduction, statement of main idea, transitions and conclusion.
Most paragraphs have clear ideas, are supported with some examples and have transitions.
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Well-presented and argued; ideas are detailed, developed and supported with evidence and details, mostly specific
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